May 1999
Outline of Chapter 14, "1440: The Smooth and the Striated"
in A Thousand Plateaus, Capitalism and Schizophrenia, by G. Deleuze
and F. Guattari (1987, U Minn P, Minneapolis).
I thought that the best way to present this chapter would
be to draw up a table of comparative models between qualities and models
of smooth space and striated space. Each example is cited to page. Anything
between parentheses are my comments. In the end, as the authors frequently
mention, the most "realistic" application of these models are in the mixings
and passages between smooth and striated--a further revision of this outline
would include a middle passage between each opposition.
Page | Smooth | Page | Striated |
474 | Nomad space | 474 | Sedentary space |
Space in which war machine develops | Space instituted by state apparatus | ||
Constantly tranversed into striated: | Constantly reversed to smooth: | ||
organizing the desert | 475 | desert gains and grows | |
475-77 | THE TECHNOLOGICAL MODEL | ||
475 | Felt=anti-fabric; entanglement not intertwining. Infinite, open and unlimited in every direction. No top, bottom or center. | A fabric: intertwining of vertical and horizontal elements;
perpendicular intersection; fixed/mobile functions; stake and thread; warp
and woof.
Striated fabric space: delimited on at least one side; top and bottom (tapestry). Weaving=royal science, government as art of give and take, back and forth. |
|
476 | Distributes continuous variation. | ||
Nomadic cloth: felt or wool. | |||
Indexes clothing/house to smooth space | 476 | Clothes- and tapestry-fabric annex body/exterior to immobile house | |
Crochet (but with center) | Knitting | ||
Patchwork: the quilt. Infinite, piece-by-piece construction in all directions. No center. A Riemannian space. | Embroidery: central motif, even if extremely complex | ||
American quilting bee | |||
477 | Smooth=amorphous, nonformal | ||
Quilt: no top or bottom. | |||
Patchwork quilt | 477 | Embroidery quilt |
477-78 | THE MUSICAL MODEL | ||
477 | One occupies without counting | One counts in order to occupy | |
Non-metric multiplicities | Metric multiplicities | ||
Susceptible to irregular break where you want to put it. | Susceptible to break defined by standard | ||
Frequencies distributed statistically without breaks.
No modules: equal statistical distribution=nondirected smooth space; more or less rare or dense (thin or thick)=directed smooth space. |
Frequencies distributed in intervals between breaks.
Modules: constant and fixed= straight striated space; regularly variable= focalized modular curved striated space, irregularly variable=nonfocalized modular curved striated space. |
||
478 | A nomos | 478 | A logos (e.g. the octave) |
Non-octave-forming scales reproduced through spiraling | |||
Smooth is continuous variation, continuous development of form | Striated intertwines fixed and variable elements, producing order and succession of distinct forms. | ||
Fusion of harmony and melody in favor of rhythmic values | Organization (body) of horizontal melodic lines and "stacks" of harmonic registers. | ||
Act of drawing diagonal across m/h |
478-82 | THE MARITIME MODEL | ||
478 | Points, lines, surfaces, volumes | Points, lines surfaces, volumes | |
Points subordinated to trajectory | Lines/trajectories subordinated to points | ||
Nomads: dwelling subordinated to journey. Conformity of space of inside and outside igloo/tent/boat. | |||
Stops and trajectories | Stops and trajectories | ||
Stop follows from trajectory: interval basis for rhythmic values | |||
Line is a vector, direction. Smooth space is directional. | Line is dimension, metric determination | ||
Space contructed by local changes of direction, perhaps inherent to nature of journey, as in nomadic travel between Pacific oceanic archipelagos=directed smooth space. | |||
Changes of direction brought about by need to access local and temporary vegetation in desert=non-directed smooth space (wandering). | |||
Filled by events or haecceities | Filled by formed and perceived things | ||
Space of affects | Space of properties | ||
Haptic perception | Optical perception | ||
Materials signal forces, serve as symptoms for them | Forms organize a matter | ||
Intensive space of distances | Extensive space of measures and properties | ||
Spatium | Extensio | ||
Body without Organs | Organism and organization | ||
Perception based on symptoms and evaluations | Perception based on measure and properties | ||
Occupied by intensities: wind, noise, forces, sonorous and tactile qualities. Ex. Desert, steppe, ice. | |||
Creaking of ice; song of sands | Canopied by sky which serves as measure | ||
The Sea | The Sea: first to be striated | ||
Nomadic navigation based on wind, noise, color and sound of water | Bearings and the map: stars, sun, latitude, longitude , meridians and parallels. | ||
1.Portolanos: not generalizable | Locates known and unknown on grid | ||
2.Indian Ocean straight space | 3.Atlantic Ocean curved space. | ||
480 | Sea striated by commercial cities, then by States. | ||
480 | Sea reimparts smooth space as in example of submarines: outflanking all gridding. Controlling striated space. | Politically, Sea archetype of striated desert, air, stratosphere. | |
Smooth always has greater power of deterritorialization than striated | |||
Sinister nature of military smooth space, and possibilities of holey space. | |||
481 | Surfaces | 481 | Surfaces |
One distributes oneself in open space: nomos | One allocates in a closed space: logos | ||
Smooth ground of nomadic animal raiser | Striated land of sedentary cultivator | ||
Sedentary cultivator participates in the smooth: nomos as outside city, migratory agriculture | Polis and its cultivation | ||
Ibn Khaldun: badiya | Ibn Khaldun: hadara | ||
Transhumant cultivator | Town invents agriculture | ||
Cultivation in nomos-space (would equal "subsistence agriculture" when farmers not dependent on market prices--growing for local consumption) | Agriculture in city-space (would equal market-oriented agriculture, commercial: e.g. truck farms and banana plantations) | ||
City imparts smooth space | |||
Smooth and holey within cities: shantytowns: (occupying without counting): hold the street (from Rhizome) | Hold the fort (from Rhizome) | ||
(Mutual aid networks, self-supporting) | Money, work, housing in city: striations | ||
482 | Voyaging
Kleist travel |
482 |
Goethe travel |
Anglo-American travel | French travel | ||
Live smooth in the cities, urban nomadism, Henry Miller (de Certeau on pedestrians) | Live striated in the desert | ||
Beatniks outside the cities | |||
Strange voyages in the city and voyages in place: Toynbee's nomads that do not move | |||
To think is to voyage | |||
Mode of spatialization, manner of being in/for space: determines smooth/striated qualities of voyage | |||
Experimental journey (in ignorance, without itinerary or Travel Guide to Must-See Monuments; enjoying being where you're at; not ranking places according to "picturesque" or "backward" qualities) | Educated, memorial, cultural Goethean journey | ||
Voyaging smoothly: difficult, uncertain becoming |
482-88 | MATHEMATICAL MODEL | ||
483 | Riemannian multiplicity: typology and topology | 483 | End of dialectics |
Multiplicities (of n): change in quantity leads to change in quality: always resist even indirect striation: anexact yet rigorous | Metrically determined magnitudes: change in quantitative difference does not change quality | ||
Distances: division always results in change of nature. | |||
Examples: speed, temperature, intensity (31 degrees F is not the sum of 15 and 16 degrees, nor are 31 and 33 in a series--getting from one to another in a certain medium implies qualitative changes) | |||
Distances do not have magnitude: they are sets of ordered differences. Example: movement divided into gallop, trot, walk. | |||
Continuous variation. | |||
Time as Bergsonian duration | Versus time as metric or magnitudinal multiplicity | ||
Achilles running/paradox | Homogeneous extension | ||
484 | Multiplicity: qualititatve, fusional, continuous | 484 | Multiplicity: numerical, homogeneous, discrete |
Matter, enveloped in qualitative multiplicity (envelopment or in-folding) | Matter, developed in metric schema drawing it outside itself (Development) | ||
Bergson following Riemann | Versus Einstein | ||
Multiplicities: non-metric; qualitative; acentered; rhizomatic; flat; directional; packs; distance; frequency | Multiplicities: metric; extensive; centered; arborescent; numerical; dimensional; masses; magnitude; breaks | ||
Tribes in the desert; packs metamorphosizing | |||
Some Numbers; Numbering | Other Numbers; Numbering | ||
The Unit: exclusively divisible | The Number: exclusively cardinal
Numbers making ideal spaces coextensive with matter |
||
Minor geometry of smooth multiplicities: operational and qualitative | Geometry and arithmetic; geometry and algebra: Major science | ||
Local operations only; calculation very limited | General translatibility; homogeneous system of location | ||
485 | Number distributes itself in smooth space, dividing and changing its nature: ordinal, directional, nomadic, articulated number, the numbering number | 485 | The numbered number |
Minor science: intuititive, itinerant, sense of/taste for matter, singularity, variation | Major science enriched by minor science | ||
Riemannian patches of space: amorphous accumulation of vicinities or situations of determinations : pure patchwork | Homogeneous sets of points, lines, surfaces, volumes interchangeable and measurable: Euclidean space | ||
486 |
Mandelbrot's Fractals; Van Koch's curve; Sierpensky's sponge. | 486 | |
487 | Brownian motion; turbulence; the sky | ||
488 | Non metric or smooth space: line with fractional dimension greater than one, or surface with fractional dimension greater than two. | 488 | Metric or striated: Any aggregate with whole number of dimensions, and assignable constant directions |
No dimension higher than that which moves through it.: flat multiplicity, line filling plane. | |||
Space=that which occupies space. | |||
Accumulation of proximities, each acc. With zone of indiscernibility=becoming. | |||
488-92 | THE PHYSICAL MODEL | ||
488 | Recap: warf and woof, harmony and melody, longitude and latitude: fixed and variable. | ||
Smooth=fundamental heterogeneity, the freeing of the line, (free-form jazz), continuous variation. | The more regular the intersection, the tighter the striation=more homogeneous the space. Ideal: limit-form of extreme striation= perfect homogeneity= capacity for reimparting smooth space. | ||
1. Striate space with parallel gravitational verticals. | |||
2. Construct center (point) of gravity. | |||
489 | 3. Point stays same; rotate verticals perpendicular. | ||
4. Gravity=universal attraction, biunivocal attraction along straight lines. | |||
5. Work=force-displacement in certain direction. | |||
6. Basis for perfect striation: complete gridding of space, creating locations for points. | |||
State apparatus: vertical of empire, isotropic of city-state. | |||
489 | Smooth space: constituted by: minimal angle of declination from vertical; vortex. | Limits of striation: the infinite (large or small); more than two bodies: space escapes limits of its striation: by declination; by the spiral or vortex. | |
Vortices and turbulences occupy engendered smooth space. | |||
Ancient Greek atom subordinated to hydraulics=swells and flows (particle/wave?). | |||
Archimedean geometry and Democritean physics. | Euclidean geometry and solid/lamellar matter. | ||
490 | Physics and geometry of the war machine | 490 | Physics and geometry of the State apparatus |
Physics of packs, turbulence, catastrophes and epidemics: geometry of war, art of war, machines of war. | |||
Free action in smooth space | Versus Work in striated space: weight-height; force-displacement. | ||
491 | No State, no surplus labor. | Labor-power, abstract labor (applicable to all human work). | |
No work-model. | Wage regime has mechanics of force. All action work or "free time." Standard-man and public works. | ||
Continuous variation of free action: speech-action-action-song-speech-enterprise, in a chromaticism. | Mass production of weapons: construction site and factory: striation of the war machine. | ||
"They don't know what work is." | Surplus labor; stockpiling. | ||
"Unsuitability" for work. "Right to laziness." | |||
Non-State societies that do not striate space, are not stock, do not "work." No wage regime. Law of the nomos: appearance of "anarchy." | Corvée, tribute labor (encomienda and repartimiento). | ||
Imperial works from any era. | |||
492 | 492 | Modern public works. | |
Integrated/integrating world capitalism: "new" smooth space--capital reaches absolute speed (instantaneous, no "friction of distance"). | Capitalism: reimparts smooth space at the "end" of striation, beyond its limits: all semiotic systems; striation survives as state pole of capitalism. | ||
Multinational corporations--deterritorialized flows between points of occupation (accumulation). Constant and variable capital, etc.: But distinction needs to be made between: | |||
Smooth capital and | Striated capital | ||
492-500 | THE AESTHETIC MODEL: NOMAD ART | ||
492 | Nomad art's successors: "barbarian," Gothic, modern. | Sedentary or imperial art | |
Close-range vision | 492 | Long-distance vision | |
Tactile, haptic space | Optical space | ||
(eye can "feel": caress as well as survey) | |||
493 | Riegl: close vision-haptic space | ||
First: not see the wheatfield, lose oneself without landmarks. | Then: striation of strata, drawing, the earth, etc. | ||
Painting done at close range; composers with close-range hearing; writers with short-term memory. | The viewer; the listener; the reader. | ||
Haptic space of close vision: orientations, landmarks, linkages in continuous variation. | Constancy of orientation; invariance of distance; interlinkeage by immersion in ambient milieu; constitution of central perspective. | ||
Desert, steppe, icea, sea--local changes, step by step. | |||
Orientations change according to vegetations, occupation, precipitation. (Points of reference immanent to space) | 493 | (Points of reference part of model transcending space) | |
494 | Touch a piece of nomad art with one's mind--that is to see it. Mind into a finger. | ||
Kaleidoscope's relationship to eye. | |||
No line separates earth from sky, because they are of same substance. | |||
No: outline, horizon, background, limit, perspective, form, center | 494 | Outline, horizon, background, limit, perspective, form and center | |
Eskimo space; Arab architecture. | |||
Absolute is local. | Relative global becomes absolute: Encompassing Element: horizon, background needed in order to (foreground). | ||
495 | Desert, sky, sea, Ocean Unlimited made to play role of Encompassing (Environment) in order to surround a center: grounding of the Earth. | ||
Making Form possible. Casting excess, smooth remainder, into Deep. | |||
Imperial Space needs the Smooth, but only as the (Beyond, the realm of abominables, a shadow according to the Empire) | |||
495 | Celts | Germans | |
Goths | Romans | ||
Hyksos | Egypt | ||
Hittites | Asia Minor | ||
Turco-Mongols | China | ||
Bedouins | Arabs | ||
Habiru | Hebrews | ||
496 | Nomads as intermediaries | ||
496 | Where haptic serves to striate: immobile background, plane, contour. | ||
Reimparting smooth space: liberating light, modulating color, unlimited site of intersection of planes. | |||
Abstract line: nomadic, not rectilinear. Wandering | Concrete line: rectilinear or regularly rounded, constant, anxious in the face of all that passes, flows or varies. | ||
Figurative writing: children forget how to draw. | |||
Egyptian rectilinear line; Assyrian/Greek organic line; supraphenomenal, encompassing Chinese line--assign concrete principles. | |||
498 | Line: delimits nothing, describes no contour, passes between points, deviates from horizontal/vertical/diagonal. | Line: delimits, contours, goes from one point to another. | |
Line without outside or inside, form or background, beginning or end. | 498 | Line describes a figure with inside and outside, form and background, beginning and end (fixed orientation). | |
Repetition as power | Symmetry as form | ||
Machinic breaks and flows, multiplying effect and pursuing infinite movement. | Organic domination of a central point with radiating lines. | ||
Free action=disjunction decentering, peripheral movement=disjointed polythetism | Symmetrical antithetism | ||
Striae convert space into form of expression that grids and organizes matter | |||
499 | Streaming, spiraling, zigzagging, snaking, feverish line of variation liberating power of life. | ||
The line escaping geometry: life escaping the organic. | |||
499-500 | Smooth space of Go | 499-500 | Striated space of chess |
Thought space | Ideology | ||